本片根据真实人物改编。第一次来到西藏工作的老孔(宋洋 饰),急需一个翻译,机缘巧合下,找到了在内地读过书的久美(金巴 饰)。两个人从互相矛盾到彼此理解,最终成为了一生的朋友……
Life at the border is very tough. The land is stony and dry, farmers plough fields of sand and illegal trafficking seems to be the only way to make a living. In Deliviran, a village near Urfa close to the Syrian border, Hidir’s chief is involved in smuggling and gets shot. Hidir tries to stay out of illegal activities but circumstances contrive to push him in the opposite direction until he accepts to take a herd of sheep across the border. Amidst poverty and the landmines Hidir struggles to keep his dream and his young son alive.
In the feelgood drama June Again a twist of fate gives family matriarch June a reprieve from a debilitating illness. Much to their amazement, June re-enters the lives of her adult children, Ginny and Devon, and learns that ‘things haven’t gone according to plan’. With limited time but plenty of pluck, she sets about trying to put everything, and everyone, back on track. When her meddling backfires, June sets out on a romantic journey of her own and discovers she needs help from the very people she was trying to rescue.
Sean作为中央情报局的成员,他奉命调查一件案子。随着案件的发展,他也开始慢慢陷入危机,在纽约这座大都市里,一群忍者的暗杀计划也逐渐浮出水面……Sean可以查出真相吗?
迈克尔来到其父亲的居所度假,却接二连三的遇上怪事,最后他才得知这都是父亲搞的鬼,目的是为了让他成为鸟人(不是天使……)
David Morales (Mario Lopez), an Arizona high school principal and single dad, has lost the holiday spirit after also losing his wife a few years ago during the Christmas season. Now, David will do anything to avoid Christmas so he moonlights as a delivery driver during the holidays. But this year David's 14-year-old daughter, Noel (Paulina Chavez), and his live-in sister, Marissa (Marycarmen Lopez), are determined to bring the yuletide spirit back to the family and, with a little luck, also help David find love again via online dating. So when Sophie (AnnaLynne McCord), a witty musician and customer on David's delivery route, swipes right on him, something magical happens between them.
The workers of a self-managed tea factory decide to go against the grain and play by their own rules. The problem is, how can you plan, work and survive in a world driven by ruthless competition? One day at a time, for instance. In a world ruled by profit and dominated by the exploitation of the weaker ones, the film literally offers an alternative set of ways about how to think our future and the means and tools to work for it. It is not an easy job but, as Taste of Hope carefully and precisely shows, there is still a lot that can be done if we change our relationship to production and labor. Instead of making grand gestures or political statements, the filmmaker works with the camera and with a thoughtful editing in order to understand how to weave together new possibilities of communal existence. The result is a superbly crafted observational exercise. A little manual of self-defense and resistance in the face of a neoliberalism that wishes for workers to keep their heads down. A taste of hope indeed.
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